My visual art – shares the same attitude towards a Rauschenberg /21st century cut and paste phenomenon as it does with the notion of an art experience re: gallery or/vs street. It becomes about inertia and materials. Objects. Digital or Decay and Recycle. The pieces are a reaction to technology. Primary source material as visual artist are from painterly modernist influences/expressionisms/art brut – used as tools to reaffirm a position in physical form 1st and foremost. In hopes to mimic daily mental collage of life, arbitrary design and taste are framed and presented. As if owning bad dance moves, pointing at the honesty in the awkward, it holds a continuation on course. The purpose being for memories, capturing moments along the way.
purge the line, seasoned and galvanized, with rims gold spilling colorful, washes,
as if slender and sentimental, texture of a person washing yr windshield
voyager splice in an elevator, gargoyles and graph paper
talking about knives or tongues, answer mostly backwards
cerebellum of antiquity, pissed-off soccer mom, caramel chew
laying it all down on laser technology, deep sneering of the engineer
turns diamonds aft torpedoes as we paste the library, careful as teeth
in a lead scenario, kinder and Sicily would align,
mighty triumph bear-hugs starbright and the tired
pretend co-workers are real, forgotten scarf sings
i’ve become obsessed with Instagram, and feeling like
the anxiety might be settling, into some numb and ok with
how actions are all that matter anyways.
AUTHENTICity & Content 